Warum kennt jeder Beethoven, aber kaum jemand Lyatoshynsky? Über Geniekult, ukrainische Kulturgeschichte und die Frage, wie aus Aufmerksamkeit dauerhaftes Repertoire
Braucht ein Klavier Kompromisse? In Schallwelten Folge 43 erklären Alfred und Johannes Huber historische Stimmungen und Temperierung – und schlagen
From worm blessings and the four-humors theory to modern research: Episode 41 tells the comprehensible history of medicine and provides an outlook on
Film music and classical music compared: Schallwelten Episode 40 explains leitmotifs, sonata form, and Kubrick's use of music – clearly and comprehensibly.
Johannes on Nolan's Odyssey, casting debates, historical accuracy, and the question of what makes a movie truly great.
A song can fill a space before a speaker reaches the microphone. It can turn grief into a shared gesture,
Anyone attending a symphony concert for the first time or after a long time quickly realizes: special rules apply in the concert hall. Some
Anyone who initially struggles to find a foothold in a new orchestral work is not listening incorrectly. This is precisely where contemporary classical music needs to be explained
The question sounds provocative, almost indecent. And yet it hits a raw nerve of the present. As political debates become more shrill,
Anyone who reduces the connection between music and politics to mere protest songs misses the crucial point. Politics does not reside solely in the lyrics of a
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